Craftsmanship

Enter our jewellery atelier: where tradition meets modern design

Our founder, Bibi Cheung, formed her jewellery-making skills while at university in East London that demanded a high level of craftsmanship and attention to detail.

From exploration in the 1990s emerged our present identity and values.

We craft jewellery that remains contemporary by meticulously attending to every detail, infused with passion and creativity.

Renowned Quality

Exquisite design at the core of our artisan studio

With 30 years' experience, our vision has been honed with high attention to detail to every aspect in a single design.

Jewellery-making requires delicate instrumentation and small work. One of our guiding principles is to create jewellery with longevity, standing against fleeting trends.

That’s why we approach any creation – no matter if it's part of our collections or a bespoke piece – as a work of art designed to provide lasting impressions.

sustainability

Concepts brought to life

To start each design, we typically visualise it through an illustration—traditionally, this is done using watercolour and ink on paper.

The idea begins by sketching the overall shape, incorporating any gemstones in their true sizes and shapes. After multiple revisions, the design is finalised in colour with realism.

Moving into the production phase, typically, we turn the illustration into a wax model that is then cast into precious metal. Setting stones and further polishing are the final stages.

Preserving age-old methods

We strive to uphold jewellery-making techniques that have been sustained for thousands of years, resulting in distinct and beautiful pieces. Find out more about the various stages of creating our jewellery.

Design illustration

Design illustration (also known as 'rendering') is an important communication medium between the designer, jeweller and client, as this helps to minimise confusion about proportions, materials, and actual size of finished jewellery.

Depending on the style and intricacy of a design, there are two methods of rendering our team chooses. We usually paint with watercolour and gouache on paper. Sometimes, we use digital drawing tools, particularly for very complex designs that may need multiple revisions. Computer-aided design is a challenge to hand-painting, but we hope the tradition will not be lost to time.

Gemstone selection

Each gemstone at TVRRINI is natural, meaning they may have unique features such as inclusionsthe reason we love them.  From effervescent shades to gentle tones, every kind of gemstone is a different opportunity to express our concepts, and we take our sourcing seriously.

We buy them from reputable gem and pearl suppliers who will cater to our requests. This includes having a good relationship with direct contacts to pearl farms for our Tahitian, South Sea, and Freshwater pearls. On occasion, we incorporate carved and custom-shaped stones to further distinguish our designs. 

Wax modelling

To bring design concepts into three-dimensional form, wax is a common material that jewellers use due to its pliable and forgiving nature. The wax model can start as a block that is then subtracted by carving away the surface, or built on successive layers through gentle heat, and both techniques may be involved depending on the design.

If a design will be "organic-looking", we prefer carving it from wax without any rendering prior. By doing this, the model takes on its shape more intuitively, in contrast to visualising it as a traditional watercolour illustration. Throughout the wax carving process, we refine the model until the shape and volume are suitable before casting in metal. 

Metal casting

We use the lost-wax casting process to create all jewellery designs. After creating the wax model, it is cast into metal (primarily sterling silver and gold), allowing for fine details to be captured and resulting in a unique piece. To maintain our high level of quality, we then polish and finish each piece by hand.

Casting clean-up

Once cast into metal, we use polishing tools in different grades of roughness, which cleans up grime and uneven surfaces. This step is important as it prepares the piece for setting. We are careful not to damage the stones while they are mounted on the metal.  

Stone setting

By this stage, the metal will have been cleaned meticulously and ready for stones if any are part of the design. Stone setting demands high precision. There is often little room for error, so we actively make sure the mount can neatly and securely hold any stones that are part of the final design. 

We then carry out the final polishing afterwards.

Hallmarking

The final stage before delivery, jewellery and objects made from precious metals are required to be hallmarked under British law. Our team makes sure each jewellery item is ready for presentation before sending it to the London Assay Office, who will then verify the purity of the metal and place the TVRRINI maker’s mark with a laser hallmark.